There are two scores: a piano score by Richard Siedhoff and an instrumental track by Bernd Schultheis. Often hailed as one of the chief cinematic exports of the Ozploitation era, Mad Max should be noted more as a miracle of economic filmmaking than as a narrative landmark of Australian cinema. Maybe it’s just residue from whatever extenuating circumstances have also refined his recent films, but he comes off as a reasonably well-balanced, reasonably smart guy who used to make films to hurt people in reaction to the fact that people hurt people. Audio is available in Master Audio mono, which sounds terrific across the board with dialogue, audio effects, and Peter Schickele’s lush score, complete with two folk songs sung by Joan Baez. The apocalypse, whatever may have caused it, wasn’t particularly devastating to the Melbourne landscape that George Miller’s Mad Max takes as its setting. In comparison, Smokey and the Bandit II, a film built on similar facets and released in the same year as Mad Max, though wholly different in tone, was given an immense budget and failed to illicit anything but a few ironic guffaws at unintended moments and a chorus of yawns. We’ll never know whether his plan for environmental preservation succeeds, or if it simply spins off forever into the vast emptiness of interplanetary space. That is to say, he films it with the sort of poker face that Jonathan Rosenbaum once wrote about observing in Brian De Palma as he watched an audience ride out Dressed to Kill’s museum chase scene. Grain is omnipresent and well-distributed, making for natural textures and fine detail on actors’ faces and background objects alike. Grain levels are mostly well-resolved, though they can also get a bit thick in those same effects-laden scenes. This muscular climax, which at one point finds Hemlock dangling from a rope against the distant backdrop of Grindelwald, was the main source of acclaim upon The Eiger Sanction’s release and remains potent evidence of the visual lucidity and highwire ambition of Eastwood’s filmmaking, qualities that undoubtedly shine through the film’s more inflammatory elements. Martin has a lot of interesting things to say about situating German Expressionist films in different contexts, each of which yields varied perspectives. Benny's Video. The chief reason for their cavalier attitudes is that the ranks of the Main Force Patrol (MFP), the remnants of Australia’s highway patrol, have been pared down to a ragtag gang of leather-clad lawmen who drive around in refitted Melbourne police cars. By creating an account, you agree to the Privacy Policy It’s hardly surprising that the murdered girl’s blood runs almost purple. If Ed likes Time of the Wolf best of Haneke’s films for allowing France’s reigning ice queen the chance to melt, then I daresay I like it the best because when the naked kid stood in front of the fire, it allowed a warm color into Haneke’s otherwise arctic color palate. Full Review Nick Schager Lessons of Darkness Arrow Video presents Silent Running in a new 2K restoration that looks superb, a very definite step above Universal’s earlier Blu-ray release. Cast: Arno Frisch, Angela Winkler, Ulrich Mühe, Ingrid Stassner Director: Michael Haneke Screenwriter: Michael Haneke Distributor: Kino on Video Running Time: 102 min Rating: NR Year: 1992 Release Date: May 16, 2006 Buy: Video, Blu-ray Review: The Lost Honor of Katharina Blum on the Criterion Collection, Blu-ray Review: Michael Haneke’s Funny Games on the Criterion Collection, Review: Luca Guadagnino’s Suspiria Remake on Lionsgate Blu-ray. But the links run deeper, as Silent Running straddles the line between notions of interior and exterior exploration. Peter Weir’s Gallipoli is credited for showing Gibson in a more romantic light, leading him to his most popular performance as Riggs in the Lethal Weapon series. Kenny & Benny is a short evangelical film of two brothers who do everything together until they make different decisions about trusting Christ as Savior. In fact, Mad Max can now be seen as setting the political tenor of Gibson’s career. 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The new album is entirely produced by Hit-Boy and mastered by Guru. Benny's video is nowhere near being a classic or, heck, debatably good, but there were a few signs of a strong director throughout the movie. Benny The Butcher’s new global deal with Entertainment One (eOne) for his Black Soprano Family (BSF) imprint is already paying dividends. Among the archival materials is a nearly hour-long making-of documentary that has a lot of good stuff in it, including some priceless footage of the differently abled actors inside those drone costumes. The rich chiaroscuro of the cinematography looks better than ever, with deep black levels offset by the luminescent golden tones of the color grading. Each one imparts a different texture to the film, and both sound excellent. As for the archival commentary track with Dern and Trumbull, it’s an intriguing listen, as they go deep into the film’s origins, production history, and legacy, though some of what they discuss overlaps with the BTS documentary. It also further highlights the film’s central irony, that Michael at long last killed and bribed his way into a legitimate and elite society, only to find that such a life looks just as seedy as the one he ostensibly put behind him. Leni’s German Expressionist classic from 1924 effortlessly crosses genres and time periods. The film’s arresting middle section sees Hemlock and Bowman embarking on training sessions in Monument Valley, then cracking beers and ogling swimsuit-clad women back at Bowman’s Zion National Park ranch. I know that I wrestle with the question of being amused against being abused constantly when trying to reconcile my affection for the likes of De Palma (or, more to the point, Cannibal Holocaust), but Haneke’s early works, climaxing with the utterly reprehensible albeit cathartic Funny Games, deploy both amusement and abuse in one-two fashion, usually at the precise moment where a little bit of the opposite effect would’ve gone a long way. Cast: Clint Eastwood, George Kennedy, Vonetta McGee, Jack Cassidy, Heidi Brühl, Thayer David, Reiner Schöne Director: Clint Eastwood Screenwriter: Hal Dresner, Warren Murphy, Rod Whitaker Distributor: KL Studio Classics Running Time: 129 min Rating: R Year: 1975 Release Date: November 10, 2020 Buy: Video. Also of note is a short piece on Douglas Trumbull that catches up with what he’s been doing since Silent Running, most notably his invention of the IMAX-like Showscan film process that helped to usher in similar technology used in Universal Studio’s Back to the Future ride. The focus on corruption within Italy marks a significant thematic shift away from the prior films’ interests in Italian-American assimilation and ascension. Benny is a 14 year old boy isolated from the world. Besides a souped-up restoration that makes a strong case for Gordon Willis’s haunting, almost expressionistic cinematography being the equal of his work on the first two films, the Coda cut rearranges scenes to maintain focus on the film’s evocative central conflict. The video … The proprietor (John Gottowt) hires him to write some lurid backstories for his exhibitions of Caliph Harun al-Rashid (Emil Jannings), Ivan the Terrible (Conrad Veidt), and Jack the Ripper (Werner Krauss). Synthetic Shaving Brush to create the best lather.. Silent Running thus aligns with other early-‘70s environmentally conscious films like Cornel Wilde’s No Blade of Grass and Richard Fleischer’s Soylent Green. Though the other three Valley Forge crewmembers—John Keenan (Cliff Potts), Marty Barker (Ron Rifkin), and Andy Wolf (Jesse Vint)—are clearly thoughtless assholes, they’re never portrayed as unrepentant villains, just as space jocks looking to finish up their assignment and get home. It’s a face that keeps its composure even as it all but gushes, “My, aren’t we amused!” (Preferably in the voice of latter day Vincent Price, with “aren’t” coming out as two syllables.). Newman and Forshaw have a lot to say about the sci-fi genre and the film’s place therein, its influences, and its underlying themes and philosophical attitudes. OIL BAY, INSPECTIONS & INTERIOR CLEANING: Monday – Saturday 8A – 6P One shot in the Zurich-set credits sequence is so murky that we can barely see what’s happening. This Blu-ray invites us to reassess an undervalued oddball from the height of Eastwood’s stardom. Are they expected to learn from Benny’s example? Colorless in the way that Haneke usually intends for his films. Benny is took his interest in movies and turned it into an obsession. Pregnant with awful possibilities, this frightening, finger-pointing film feels less a provocation, more an attempt to eviscerate the medium from within. But Silent Running endows its characters with more nuances that help to muddy the moralistic waters. His “blame the parents” angle is as annoying in conversation as it is in the film, but then again I love my parents. Haneke directs Benny's Video in a cool, dispassionate style that matches the austerity of his subject, but keeps us at a distinct remove. In the fantastic opening scene, the MFP’s pursuit of a crazed speedster, nicknamed the Nightrider, are carefully punctuated by shots of Max’s slow preparation for the last leg of the chase. These provocations, and many more like them, make The Eiger Sanction one of Eastwood’s more unabashedly uncouth works, though the homophobia and racism they would seem to espouse cannot be so easily written off as such, since Hemlock is himself emasculated more than once throughout the film, while Jemima emerges as a more complex and empowered character than her stereotypical naming would suggest. Even the new title gives the game away: Rather than position the story as a continuation of a family’s multi-generational rise, Coppola structures it as a tragic, protracted denouement of a man who sold his soul only to find that those who can give him absolution sold theirs long ago. I hate to admit that, in modern interview, Haneke’s intentions seem at least marginally less hostile. Everything you need for the most amazing shave to date!. DVD Review: Benny’s Video B enny’s Video is a smug, contemptuous, passive-aggressive attack on the dehumanizing effects of media, without even the common decency to offer shrill sensationalism to punch up its subsequently feckless, reactionary, pomo assertions. In this the second of Michael Haneke’s “Glaciation Trilogy”, Benny’s Video is a fascinating and disturbing portrayal of a young boy and his descent into psychosis through family dysfunction and the media. Probably not. Since he’s played by professional weirdo Bruce Dern, Lowell takes on an obsessive streak that leads him to cold-blooded murder and perhaps even madness. Art thus imitates life. Benny’s cold, detach demeanor is played out quite well here. Within each story, there’s a similar doubling at work. Pinkerton makes a strong case for this often-maligned film as a work of “dunderheaded poetry” and for Clint Eastwood as a great populist artist. It’s also here where Eastwood leans fully into his charisma, using swaggering body language and wry insinuation to oust Miles Mellough, then finding the same instincts backfiring when he’s nearly killed by a hired seductress (Brenda Venus). The Lightwave light and power switches aren’t cheap though. Nov 11, 2020 Defense Minister Benny Gantz called yesterday on the Palestinian leadership to return to the negotiating table. They resemble a species of astronomical toxic masculinity. When Eric Cartman grows older and goes to film school, his student films will resemble the early works of Michael Haneke. The suits evidently didn’t read the script too closely. It’s fascinating to see the Godfather saga thematically end with the Italian descendent who conquered America forced into battle with the ancient, Old World power of the Catholic Church, which fearlessly plays games with the same man that the first two films established as one of cinema’s most terrifying figures. Luckily for him, it was only a dream, a notion Leni cleverly underscores by having Jack’s knife dissolve into the poet’s pen, thus tidily illustrating both the pleasures and pains of the human imagination. The lean budget ultimately works to Mad Max’s advantage: The Australian landscape conveys dissolution and ruin far better than any stylized future world could and Miller builds remarkable tension from scaled-back action sequences and some superb car chases. Sort by: kzka's rating of the film Benny's Video. What gives the film a chilly authenticity is the creepy performance of Arno Frisch in the title role. Clarity and depth are greatly improved, and the color tinting is bold and striking. Arno plays Benny, the 14 yr old apathetic child of 2 seemingly successful well off parents. One could say plenty about what’s happened in the subsequent years with Gibson, but his charisma and sheer presence in Mad Max is undeniable. Trumbull’s sci-fi fable is both an exploration of environmental issues and the effects of isolation on human beings. The audio hasn’t gotten the same facelift, as we get the same DTS-HD Master Audio tracks here that we’ve heard before, but if you’ve seen Mad Max, and as such are familiar with its low-budget origins, then you know that there isn’t much that can be done to make the dialogue during the many action sequences sound as if its competing to be heard over the din of the carnage that plays out on Melbourne’s highways. Cast: Emil Jannings, Conrad Veidt, Werner Krauss, William Dieterle, Olga Belajeff, John Gottowt Director: Paul Leni Screenwriter: Henrik Galeen Distributor: Flicker Alley Running Time: 82 min Rating: NR Year: 1924 Release Date: November 17, 2020 Buy: Video. Ivan swaps roles and robes with the father of the bride, who’s then assassinated in his place. Flicker Alley presents Waxworks in a new 2K restoration that’s simply stunning, a quantum-leap improvement over the Kino Lorber DVD from 2004. Star Wars is essentially an adventure serial all dressed up in sci-fi trappings. There’s also an interview with Bruce Dern in which he discusses his early career playing second fiddle to the likes of John Wayne, being offered the role in Silent Running, and the film’s visual effects and themes. Which isn’t to say that Garcia is much better, as his understanding of Vincent’s supposedly monstrous, id-driven rage mostly takes the form of empty posturing. The desk in his room (in his parents’ swank high-rise condo) is so completely covered with a makeshift video-editing bay that he does his homework lying in bed while blankly watching Hollywood carnage. Iii as a bombastic yet ultimately insular morality benny's video review the unreconstructed hero, valiantly taking up the against. 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